Politics makes strange bedfellows, but never stranger than when a sexy, savvy, African-American conservative Republican reluctantly falls for his Democratic counterpart: a beautiful Indian-American Obama campaign volunteer. Sparks fly, tempers flare, heads turn, and romance blossoms for this mismatched pair of lovers in the frantic and intoxicating days leading up to Election Day. Can the politics of love conquer all?

A great historical film about the origins of the automobile: Bertha Benz wrote herself into the history of technology with the first, daring ride in a horseless carriage and gave her husband Carl's invention its breakthrough. Behind this daring act is a story of unshakeable trust, confidence and great love.

The story of a suburban family in which the father refuses to become an adult.

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

In track and field he’s remembered as The Greatest. Athletics' first commercially global star. Away from the spotlight, his is a life often misunderstood. Carl Lewis did it his own way - unwilling to conform to what the US expected from its athletes. Lewis won nine Olympic gold medals across four Games and was voted “Sportsman of the Century” by the International Olympic Committee. Yet he refused to be pigeonholed and, in doing so, he inspired change on and off the field. I’m Carl Lewis! delves into the consequences of his uncompromising drive.

International art dealer Ron Hall must befriend a dangerous homeless man in order to save his struggling marriage to his wife, a woman whose dreams will lead all three of them on the journey of their lives.

Suspecting her boyfriend of cheating on her again, this time she won't let it lie.

Suspecting her boyfriend of cheating on her again, this time she won't let it lie.

Meet the Duncans, a prominent family from Jamaica, Queens. By day, they’re an upstanding family; by night, they live a dangerous secret life.

CARL THE COLLECTOR follows the everyday adventures of Carl, a warm-hearted autistic raccoon who enjoys collecting things and loves his friends and family in Fuzzytown. 　　In each episode, Carl and his friends work and play together. In the process they find out what makes each of them who they are. For example, Carl pays extraordinarily close attention to detail and comes up with unique ideas that others might not consider. These traits have helped him amass his extensive collections — from autographs and bottle caps to fake mustaches, pet rocks, sweaters, and virtually everything in between — which can come in handy for solving problems around the neighborhood with his friends. 　　Carl’s friends include Sheldon, an empathetic beaver with a knack for connecting people and a soft spot for the underdog. As Carl’s best friend, he is attuned to Carl’s unique logic and ways of looking at the world, sometimes helping him navigate complex social nuances when necessary. Carl’s friend Lotta, a quiet and self-assured fox, is also autistic. She experiences hypersensitivity to loud sounds, powerful smells, and certain food textures, and has exceptional talents in art and music. Other friends include Nico and Arugula, identical twin bunny sisters whose personalities couldn’t be more different, making their quest to define their individual identities extra complicated. And Forrest, a hyperactive and impulsive squirrel with a tree nut allergy, who is always down for an impromptu adventure. 　　Through its relatable stories, characters, and messages, and with a production team that includes neurodiverse writers, production staff, animators, advisors, and voice talent, CARL THE COLLECTOR showcases and celebrates our differences and commonalities, and that we all have something unique to offer. 　　Target Audience: 4-7 Years 　　Production Company: Fuzzytown Productions, Spiffy Pictures